GLOBALIZATION AND INTERCULTURAL DIALOGUE: MULTIDISCIPLINARY PERSPECTIVES - LITERATURE
We are going to focus on Ion Vinea's work as a translator in an attempt to qualify his effort of preserving national identity while avoiding open 'ethnocentric violence' (Venuti, 1995). Particularly selective in his choices of source-texts, Vinea laboured upon words and it is he above all who proves that literary translation could be regarded as an act of creation based on a given original. As a translator of fiction, he was especially interested in Poe (whose destiny he mirrored up to a point) and his versions of Poe's short-stories have been constantly re-edited up to this day. Occasionally, he indulged in tackling Villiers de l'Isle Adam, Balzac, Eugen Ionescu (Le roi se meurt, La soif et la faim), Washington Irving (Rip Van Winkle), Halldor Kiljan Laxness (Independent People). During the last years of his life he devoted himself to Shakespeare (Macbeth, Othello, Henry V, Hamlet, The Winter's Tale being the five plays he masterfully rendered into Romanian). For all his deep respect for the source-text (whether he was dealing with Shakespeare, Poe, Balzac or Eugen Ionescu), Vinea has been much too often labelled as a mere target-oriented translator, when in fact his complex, larger-than-life vision encompasses that of a national-literary translator, of a handyman (traducteur-bricoleur), and of poet-translator (Jean-Louis Besson, 2005), all in one.