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References
Security evaluation of quantum key distribution with weak basis-choice flaws
SCIENTIFIC REPORTS
Authors: Sun, Shi-Hai; Tian, Zhi-Yu; Zhao, Mei-Sheng; Ma, Yan
Quantum key distribution (QKD) can share an unconditional secure key between two remote parties, but the deviation between theory and practice will break the security of the generated key. In this paper, we evaluate the security of QKD with weak basis-choice flaws, in which the random bits used by Alice and Bob are weakly controlled by Eve. Based on the definition of Li et al. (Sci Rep 5:16200, 2015) and GLLP's analysis, we obtain a tight and analytical bound to estimate the phase error and key rate for both the single photon source and the weak coherent source. Our approach largely increases the key rate from that of the original approach. Finally, we investigate and confirm the security of BB84-QKD with a practical commercial devices.
"Looking 'Foreword' to Milton in Toni Morrison's Paradise"
Prior to the 2014 republication of Toni Morrison's, Paradise, the novelist had not published any commentary about the role of literary influence John Milton might have had on her fictional writings. In a foreword to the republication of her 1997 novel, Morrison offers her first published acknowledgement of Milton's influence on any work in her canon. My essay contends this Miltonic revelation constitutes a groundbreaking event in literary criticism. I explore the critical significance of this revelation by explicating the foreword, Milton's significance within it, and its implications for reading the 17th-century epic writer's (in)visible influential presence throughout Paradise. Placing particular emphasis on the interpretive significance of Morrison's womanist critique of Milton's portrayal of Eve, my essay turns to a focus on the Convent women as interrogated replicas of the first mother presented in Paradise Lost. This analysis of the novel enlarges the grounds of contention in Milton and African American studies, providing a richer interpretive reading experience that has never been cited or examined in existing literary criticism prior to now.